A theory of cinema is not ‘about’ cinema, but about the concepts that cinema gives rise to and which are themselves related to other concepts corresponding to other practices, the practice of concepts in general having no privilege over others, any more than one object has over others. It is at the level of the interference of many practices that things happen, beings, images, concepts, all the kinds of events (Deleuze, The Time Image, 280)

• Assemblages
• Borders
• Coloniality of gender
• Conatus
• Crisis
• Diffractions
• Errance/errantry/wandering
• Events
• Labour of translation
• Language as affect
• Nomadism
• Non-Philosophy
• Politics of foreignness
• Politics of naming
• Radical hope
• Radical solitude
• Real
• Right to have rights
• Striated and smooth spaces
• Tracks and Traces
• Vulnerability