The project has involved research in the following Archives and Museums
- Rodin Museum Archives, Paris: Marie Gwendolen John’s boxes.
- The Rosa Bonheur Museum, Thomery, Fontainebleau.
- British Library, Manuscript Collections: Dora Carrington correspondence with Lytton Strachey [62888-62897], Dora Carrington Diary 
- Harry Ransom Humanities Research Centre, the University of Texas at Austin: Dora Carrington Collection, Gerald Brenan Collection
- Massachussetts College of Art Archives (MassArt). Boston
- National Library of Wales, Archives, Gwen John’s papers.
1. (2010) Nomadic Narratives, Visual Forces: New York: Peter Lang.
Becomings: Narrative Entanglements and Microsociology [44 paragraphs]. Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, 16(1), Art. 19, http://nbn-resolving.de/urn:nbn:de:0114-fqs1501193, 2015
The Art politics of May Steven’s work: Disrupting the distribution of the sensible’ . Women’s Studies International Forum, 2015. An overview of the paper can be reached here
‘Narrative Personae and Visual Signs: Reading Leonard’s intimate photo-memoir.’ a/b: Auto/Biography Studies, 29 (1), 27-49, 2014.
Heterotopic and Holey Spaces as Tents for the Nomad: Rereading Gwen John’s Letters’. Gender, Place and Culture: A Journal of Feminist Geography, 2012.
Charting Cartographies of Resistance: Line of Flight in Women Artists’ Narratives. Gender and Education, 2010. Also published in Jessica Ringrose, ed. 2011. Rethinking Gendered Regulations and Resistance in Education, Routledge, 2011.
Visual silences, nomadic narratives’. Auto/biography Yearbook. Vol. II, pp.1-20, 2008.
Becoming an Artist: Life Histories and Visual Images. (with Gali Weiss) In Oral History in the Visual Arts, Bloomsbury, 2013.
Broken Narratives,Visual Forces: Letters, Paintings and the Event. In Beyond Narrative Coherence, John Benjamins Publishing, 2010.